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dc.contributor.authorSuárez Rodríguez, Ángela
dc.contributor.otherUniversidad de Cantabriaes_ES
dc.date.accessioned2025-08-29T15:10:38Z
dc.date.available2025-08-29T15:10:38Z
dc.date.issued2020
dc.identifier.issn1744-9855
dc.identifier.issn1744-9863
dc.identifier.otherRTI2018-097186-B-I00es_ES
dc.identifier.urihttps://hdl.handle.net/10902/36966
dc.description.abstractStarting from the premise that the homecomer is, like the stranger, a subject in a position of displacement and dislocation, this article examines the homecoming experience narrated in Teju Cole's novella "Every Day Is for the Thief" in order to delve into the figure of the othered "cosmopolitan stranger". It thus brings into dialogue the debate about the nature of "Afropolitanism" and the emerging postcolonial approach to this new category of "stranger". The protagonist's experience in various sites in Lagos shows him negotiating a conflicting sense of belonging and unfamiliarity that finds expression in the recurrent spatial oppositions throughout the text. Importantly, his responses to the urban fragments explore the idea that cosmopolitan strangers are endowed with a "subjective objectivity". However, rather than offering a privileged stance that allows him to see things more clearly, his status as an othered cosmopolitan stranger reveals to him his lasting condition of strangeness.es_ES
dc.description.sponsorshipThis research was supported by the Spanish National R&D Programme [project RTI2018-097186-B-I00] (Strangers and cosmopolitans: alternative worlds in contemporary literatures) financed by MCIU/AEI/FEDER, EU, and by the R&D Programme of the Principado de Asturias, through the Research Group Intersections [grant number GRUPIN IDI/2018/000167].es_ES
dc.format.extent24 p.es_ES
dc.language.isoenges_ES
dc.publisherRoutledgees_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International. This Accepted Manuscript version is made available under the CC-BY-NC-ND 4.0 license https://creativecommons.org/licenses/by-nc-nd/4.0/es_ES
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.sourceJournal of Postcolonial Writing, 2020, 56(6), 789-802es_ES
dc.subject.otherHomecomeres_ES
dc.subject.otherCosmopolitan strangeres_ES
dc.subject.otherStrangesesses_ES
dc.subject.otherAfropolitanismes_ES
dc.subject.otherTeju Colees_ES
dc.subject.otherEvery Day is for the Thiefes_ES
dc.titleThe experience of homecoming in Teju Cole's "Every day is for the thief": an investigation into the othered "cosmopolitan stranger"es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publisherVersionhttps://doi.org/10.1080/17449855.2020.1825512es_ES
dc.rights.accessRightsopenAccesses_ES
dc.identifier.DOI10.1080/17449855.2020.1825512
dc.type.versionacceptedVersiones_ES


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Mostrar el registro sencillo

Attribution-NonCommercial-NoDerivatives 4.0 International. This  Accepted Manuscript version is made available under the CC-BY-NC-ND 4.0  license https://creativecommons.org/licenses/by-nc-nd/4.0/Excepto si se señala otra cosa, la licencia del ítem se describe como Attribution-NonCommercial-NoDerivatives 4.0 International. This Accepted Manuscript version is made available under the CC-BY-NC-ND 4.0 license https://creativecommons.org/licenses/by-nc-nd/4.0/