Staging (E)motions: the importance of Elvira Notari's 'city films' for twentieth-century immigrant and female audiences

Pelayo Sañudo, Eva

doi:10.54103/2035-7680/17900

dc.contributor.author	Pelayo Sañudo, Eva
dc.contributor.other	Universidad de Cantabria	es_ES
dc.date.accessioned	2025-08-06T12:48:25Z
dc.date.available	2025-08-06T12:48:25Z
dc.date.issued	2022
dc.identifier.issn	2035-7680
dc.identifier.uri	https://hdl.handle.net/10902/36861
dc.description.abstract	This article explores the significant social changes registered by woman film director Elvira Notari in her films, particularly regarding the position of women and Italian immigrant audiences in the US. It thus suggests new readings of Notari's work through the concepts of urban capabilities and the "flâneuse". As most of her original dense archive has been almost lost, only the extant feature film "È Piccerella"as well as secondary material and scholarship retrieving her work will be used to analyze the contributions of the director to cultural immigration, gender representation and film history.	es_ES
dc.format.extent	15 p.	es_ES
dc.language.iso	eng	es_ES
dc.publisher	Università degli studi di Milano; Milano university press	es_ES
dc.rights	Attribution-ShareAlike 4.0 International	es_ES
dc.rights.uri	http://creativecommons.org/licenses/by-sa/4.0/	*
dc.source	Altre Modernità, 2022, 27, 269-283	es_ES
dc.subject.other	Elvira Notari	es_ES
dc.subject.other	City films	es_ES
dc.subject.other	(E)motions	es_ES
dc.subject.other	Cultural immigration	es_ES
dc.subject.other	Gender representation	es_ES
dc.title	Staging (E)motions: the importance of Elvira Notari's 'city films' for twentieth-century immigrant and female audiences	es_ES
dc.type	info:eu-repo/semantics/article	es_ES
dc.relation.publisherVersion	https://doi.org/10.54103/2035-7680/17900	es_ES
dc.rights.accessRights	openAccess	es_ES
dc.identifier.DOI	10.54103/2035-7680/17900
dc.type.version	publishedVersion	es_ES