| dc.contributor.author | González López, Jesús Ángel | |
| dc.contributor.other | Universidad de Cantabria | es_ES |
| dc.date.accessioned | 2025-01-09T18:01:23Z | |
| dc.date.available | 2025-01-09T18:01:23Z | |
| dc.date.issued | 2020-10 | |
| dc.identifier.issn | 0195-6051 | |
| dc.identifier.issn | 1930-6458 | |
| dc.identifier.uri | https://hdl.handle.net/10902/34920 | |
| dc.description.abstract | This article examines the concept of the post?Western and its presence in contemporary American television. The displacement of the Western myth in these series allows their creators to take the audience into a post-Western "space of reflection" and look for new ways to articulate fears and worries in contemporary America. | es_ES |
| dc.format.extent | 26 p. | es_ES |
| dc.language.iso | eng | es_ES |
| dc.publisher | Routledge | es_ES |
| dc.rights | © Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Popular Film and Television on Volume 48, 2020 - Issue 3, available online: https://www.tandfonline.com/doi/full/10.1080/01956051.2020.1758024 | es_ES |
| dc.source | Journal of Popular Film and Television, 2020, 48(3), 163-173 | es_ES |
| dc.subject.other | Breaking Bad | es_ES |
| dc.subject.other | Firefly | es_ES |
| dc.subject.other | Justified | es_ES |
| dc.subject.other | Post-Western | es_ES |
| dc.subject.other | Television | es_ES |
| dc.subject.other | Westworld | es_ES |
| dc.title | "Pulling up a Wild Bill": television post-Westerns | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.relation.publisherVersion | https://doi.org/10.1080/01956051.2020.1758024 | es_ES |
| dc.rights.accessRights | openAccess | es_ES |
| dc.identifier.DOI | 10.1080/01956051.2020.1758024 | |
| dc.type.version | acceptedVersion | es_ES |
