dc.contributor.author | Andaluz-Pinedo, Olaia | |
dc.contributor.author | Hayes, Lidia | |
dc.contributor.other | Universidad de Cantabria | es_ES |
dc.date.accessioned | 2024-03-05T09:13:49Z | |
dc.date.available | 2024-03-05T09:13:49Z | |
dc.date.issued | 2023-01 | |
dc.identifier.issn | 1740-357X | |
dc.identifier.uri | https://hdl.handle.net/10902/32085 | |
dc.format.extent | 6 p. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | ZHAW, IUED Institute of Translation and Interpreting | es_ES |
dc.rights | Attribution-NoDerivatives 4.0 International | es_ES |
dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
dc.source | The Journal of Specialised Translation, 2023, 39, 191-196. | es_ES |
dc.title | Es reseña de: Fryer, Louise and Cavallo, Amelia. Integrated Access in Live Performance | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.accessRights | openAccess | es_ES |
dc.type.version | publishedVersion | es_ES |