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dc.contributor.authorFernandez Navarro, Verónica 
dc.contributor.authorCamarós Pérez, Edgard
dc.contributor.authorGarate Maidagan, Diego 
dc.contributor.otherUniversidad de Cantabriaes_ES
dc.date.accessioned2023-02-15T11:50:44Z
dc.date.available2023-02-15T11:50:44Z
dc.date.issued2022-04
dc.identifier.issn0305-4403
dc.identifier.issn1095-9238
dc.identifier.otherPID 2019-107262 GB-I00es_ES
dc.identifier.otherMCIN/ AEI /10.13039/501100011033es_ES
dc.identifier.otherANR-21-CE27-0005es_ES
dc.identifier.urihttps://hdl.handle.net/10902/27709
dc.description.abstractThis paper presents rock art as a collective action in which different strata of society took part, including children and subadults. Until recent decades archaeology of childhood has not been in the main focus of the archaeological research, much less the participation of those children in the artistic activity. The present study approaches the palaeodemography of artists in the decorated caves through the paleolithic rock art itself. The approximate age of these individuals has been calculated through the biometric analysis of hand stencils in the caves of Fuente del Salín, Castillo, La Garma, Maltravieso and Fuente del Trucho, using 3D photogrammetric models as reference. The results have been compared with a modern reference population in order to assign the Palaeolithic hands to certain age groups. It has been demonstrated the presence of hand stencil motifs belongs to infants, children and juveniles, revealing this stratum?s importance in the artistic activity.es_ES
dc.description.sponsorshipThe present study has been conducted as part of the research project “Before art: social investment in symbolic expressions during the Upper Palaeolithic (B-Art)” (PID 2019-107262 GB-I00), funded by the Ministry of Science, Innovation and Universities (MCIN/ AEI /10.13039/501100011033), PI: Diego Garate. This study is also a part of the research project “From the Mind to the Wall: Tracing Sign Language in Palæolithic Hand Stencils (MIND2WALL)” (ANR-21-CE27-0005), funded by the French Ministry of Culture, PI: Aritz Irurtzun.es_ES
dc.format.extent11 p.es_ES
dc.language.isoenges_ES
dc.publisherElsevieres_ES
dc.rightsAttribution 4.0 International © 2022 The Authors. Published by Elsevier Ltd.es_ES
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.sourceJournal of Archaeological Science, 2022, 140, 105574es_ES
dc.subject.otherChildhoodes_ES
dc.subject.otherRock artes_ES
dc.subject.otherHand stencilses_ES
dc.subject.otherExperimentationes_ES
dc.subject.other3D imageryes_ES
dc.titleVisualizing childhood in Upper Palaeolithic societies: Experimental and archaeological approach to artists? age estimation through cave art hand stencilses_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessRightsopenAccesses_ES
dc.identifier.DOI10.1016/j.jas.2022.105574
dc.type.versionpublishedVersiones_ES


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Attribution 4.0 International © 2022 The Authors. Published by Elsevier Ltd.Excepto si se señala otra cosa, la licencia del ítem se describe como Attribution 4.0 International © 2022 The Authors. Published by Elsevier Ltd.