dc.contributor.author | Fernandez Navarro, Verónica | |
dc.contributor.author | Camarós Pérez, Edgard | |
dc.contributor.author | Garate Maidagan, Diego | |
dc.contributor.other | Universidad de Cantabria | es_ES |
dc.date.accessioned | 2023-02-15T11:50:44Z | |
dc.date.available | 2023-02-15T11:50:44Z | |
dc.date.issued | 2022-04 | |
dc.identifier.issn | 0305-4403 | |
dc.identifier.issn | 1095-9238 | |
dc.identifier.other | PID 2019-107262 GB-I00 | es_ES |
dc.identifier.other | MCIN/ AEI /10.13039/501100011033 | es_ES |
dc.identifier.other | ANR-21-CE27-0005 | es_ES |
dc.identifier.uri | https://hdl.handle.net/10902/27709 | |
dc.description.abstract | This paper presents rock art as a collective action in which different strata of society took part, including children and subadults. Until recent decades archaeology of childhood has not been in the main focus of the archaeological research, much less the participation of those children in the artistic activity. The present study approaches the palaeodemography of artists in the decorated caves through the paleolithic rock art itself. The approximate age of these individuals has been calculated through the biometric analysis of hand stencils in the caves of Fuente del Salín, Castillo, La Garma, Maltravieso and Fuente del Trucho, using 3D photogrammetric models as reference. The results have been compared with a modern reference population in order to assign the Palaeolithic hands to certain age groups. It has been demonstrated the presence of hand stencil motifs belongs to infants, children and juveniles, revealing this stratum?s importance in the artistic activity. | es_ES |
dc.description.sponsorship | The present study has been conducted as part of the research project “Before art: social investment in symbolic expressions during the Upper Palaeolithic (B-Art)” (PID 2019-107262 GB-I00), funded by the Ministry of Science, Innovation and Universities (MCIN/ AEI /10.13039/501100011033), PI: Diego Garate. This study is also a part of the research project “From the Mind to the Wall: Tracing Sign Language in Palæolithic Hand Stencils (MIND2WALL)” (ANR-21-CE27-0005), funded by the French Ministry of Culture, PI: Aritz Irurtzun. | es_ES |
dc.format.extent | 11 p. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Elsevier | es_ES |
dc.rights | Attribution 4.0 International © 2022 The Authors. Published by Elsevier Ltd. | es_ES |
dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | * |
dc.source | Journal of Archaeological Science, 2022, 140, 105574 | es_ES |
dc.subject.other | Childhood | es_ES |
dc.subject.other | Rock art | es_ES |
dc.subject.other | Hand stencils | es_ES |
dc.subject.other | Experimentation | es_ES |
dc.subject.other | 3D imagery | es_ES |
dc.title | Visualizing childhood in Upper Palaeolithic societies: Experimental and archaeological approach to artists? age estimation through cave art hand stencils | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.accessRights | openAccess | es_ES |
dc.identifier.DOI | 10.1016/j.jas.2022.105574 | |
dc.type.version | publishedVersion | es_ES |