| dc.contributor.author | Mier Pérez, Laura | |
| dc.contributor.other | Universidad de Cantabria | es_ES |
| dc.date.accessioned | 2023-01-25T13:40:23Z | |
| dc.date.available | 2023-01-25T13:40:23Z | |
| dc.date.issued | 2021 | |
| dc.identifier.issn | 0007-5108 | |
| dc.identifier.issn | 1944-0928 | |
| dc.identifier.uri | https://hdl.handle.net/10902/27433 | |
| dc.format.extent | 4 p. | es_ES |
| dc.language.iso | spa | es_ES |
| dc.publisher | University of Georgia, Franklin College of Arts and Sciences, Department of Romance Languages Athens | es_ES |
| dc.rights | © University of Georgia, Franklin College of Arts and Sciences, Department of Romance Languages Athens | es_ES |
| dc.source | Bulletin of the Comediantes, 2021,73(1), 197-200 | es_ES |
| dc.title | Es reseña de: Hacia un primer teatro clásico. El teatro del Renacimiento en su laberinto,Julio Vélez Sainz (ed. lit.) Iberoamericana-Vervuert, 2019 | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.rights.accessRights | openAccess | es_ES |
| dc.type.version | publishedVersion | es_ES |
