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dc.contributor.authorMedina-Alcaide, María Ángeles 
dc.contributor.authorGarate Maidagan, Diego 
dc.contributor.authorIntxaurbe Alberdi, Iñaki 
dc.contributor.authorSanchidríán Torti, José Luis
dc.contributor.authorRivero Vilá, Olivia
dc.contributor.authorFerrier, Catherine
dc.contributor.authorMesa Algar, María Dolores 
dc.contributor.authorPereña, Jaime
dc.contributor.authorLíbano, Iñaki
dc.contributor.otherUniversidad de Cantabriaes_ES
dc.date.accessioned2022-03-21T17:57:37Z
dc.date.available2022-03-21T17:57:37Z
dc.date.issued2021-06
dc.identifier.issn1932-6203
dc.identifier.otherPID2019-107262 GBI00es_ES
dc.identifier.otherHAR2017-87739-Pes_ES
dc.identifier.urihttp://hdl.handle.net/10902/24261
dc.description.abstractArtificial lighting was a crucial physical resource for expanding complex social and economic behavior in Paleolithic groups. Furthermore, the control of fire allowed the development of the first symbolic behavior in deep caves, around 176 ky BP. These activities would increase during the Upper Paleolithic, when lighting residues proliferated at these sites. The physical peculiarities of Paleolithic lighting resources are very poorly understood, although this is a key aspect for the study of human activity within caves and other dark contexts. In this work, we characterize the main Paleolithic lighting systems (e.g., wooden torches, portable fat lamps, and fireplaces) through empirical observations and experimental archeology in an endokarstic context. Furthermore, each lighting system's characteristic combustion residues were identified to achieve a better identification for the archaeological record. The experiments are based on an exhaustive review of archaeological information about this topic. Besides, we apply the estimated luminous data of a Paleolithic cave with Paleolithic art (Atxurra in northern Spain) in 3D through GIS technology to delve into the archeologic implications of illumination in Paleolithic underground activities.es_ES
dc.description.sponsorshipThis paper has been funded by the research projects “Before art: social investment in symbolic expressions during the Upper Paleolithic in the Iberian Peninsula” (PID2019-107262 GBI00), PI: Diego Garate, and “Learning and development of artistic abilities in Anatomically Modern Humans; a multidisciplinary approach (ApArt)" HAR2017-87739-P, PI: Olivia Rivero, both funded by the Ministry of Science, Innovation, and Universities (Spain). Besides, the University of Cordoba (Jose´ Luis Sanchidria´n, Economic Unit in Prehistory) has collaborated in the publication of this paper in open access. I.I.’s Ph.D. research is funded by a grant for the training of research personnel (PIF 2019) at the University of the Basque Country (UPV/EHU). Lastly, this paper publishes a part of M.M.A.’s thesis. This PhD was financed by the Ministry of Education, Culture, and Sport of Spain (FPU fellowship 2014-2018).es_ES
dc.format.extent30 p.es_ES
dc.language.isoenges_ES
dc.publisherPublic Library of Sciencees_ES
dc.rightsAttribution 4.0 Internationales_ES
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.sourcePLoS One, 2021, 16(6): e0250497es_ES
dc.titleThe conquest of the dark spaces: An experimental approach to lighting systems in Paleolithic caveses_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.rights.accessRightsopenAccesses_ES
dc.identifier.DOI10.1371/journal.pone.0250497
dc.type.versionpublishedVersiones_ES


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Attribution 4.0 InternationalExcepto si se señala otra cosa, la licencia del ítem se describe como Attribution 4.0 International