@article{10902/28192,
year = {2022},
month = {3},
url = {https://hdl.handle.net/10902/28192},
abstract = {Even though Iris Murdoch's novels depict a profoundly patriarchal society, most scholars have generally failed to identify any feminist aspirations in her work. This article aims to reassess her legacy as a writer by analysing from a feminist perspective one of her most acclaimed novels, 'The Sea, The Sea' (1978). The tension between the androcentric approach of a self-deluded male narrator and a female author whose worldview is strongly influenced by her gender results in a feminist critique which is not based on the recovery of a female voice, but on the exploration of patriarchy within the novel and the production of a feminist epistemology derived from a dialogue between Murdoch's fiction and philosophy.},
publisher = {Berghahn},
publisher = {Critical survey, 2022, 34(1), 27-44},
title = {Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch's "The Sea, The Sea"},
author = {García-Avello, Macarena},
}